…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Try referring to a piece of music by its key and opus number and you can be met with a blank look until you hum the tune or refer to it by its nickname. Opus numbers and keys are an essential part of the identity of a work, but nicknames can be a welcome aide…
Salon Société, Musical Luminati Series, Twilight Musical Dialogues Adamstown Uniting Church, Newcastle 30 November, 2018 Adamstown Uniting Church, Newcastle, The final instalment of the Twilight Musical Dialogues’ 2018 series Musical Luminati, entitled Salon Société Omega Ensemble members Sally Walker on flute, David Rowden on clarinet and Clemens Leske on piano. Inspired by the French Salon tradition,…
Garrick Ohlsson/ Musica Viva City Recital Hall, Sydney 24 February 2020 American pianist Garrick Ohlsson’s electrifying second Sydney recital for Music Viva was, in some ways, the story of the Romantic piano. Performing the music of just two 19th century composers, Chopin – with whose music Ohlsson has had a lifelong affiliation – and Brahms,…
Read the review of this Sydney concert from The Australian which featured the 2014 Grammy Award winning team of Dawn Upshaw and the Australian Chamber Orchestra.
Forbidden but not Forgotten Acacia Quartet Utzon Room, Sydney Opera House June 18, 2017 Fresh from a month-long sabbatical in Berlin, Acacia Quartet performed their latest concert programme bearing the tantalising title Forbidden but not Forgotten. A core part of their work in Berlin was to study, record and perform the string quartets of forbidden…
Two European film festival in Sydney last week saw the screening of two riveting movies about opera icons Luciano Pavarotti and Maria Callas. Pavarotti, directed by Ron “Happy Days” Howard is a 2019 documentary, shown as part of the Italian Film Festival, brimming with personal comments from Pavarotti, his first wide Adua and three adult…