Album Review: Schubert Schwanengesang/Deux-Elles
Schubert Schwanengesang/ Anna Fraser, soprano/ Neal Peres Da Costa, piano/ Deux-Elles Schubert Schwanengesang is a new release on the independent UK based…
Schubert Schwanengesang/ Anna Fraser, soprano/ Neal Peres Da Costa, piano/ Deux-Elles Schubert Schwanengesang is a new release on the independent UK based…
Concert review: Horizon Classical/ Rapture and Ruin/ Glinka, Tchaikovsky and Rachmaninoff Piano Concerto no. 2 Verbrugghen Hall Sydney Conservatorium of Music Friday…
The audiences for these two concerts were exceptionally privileged to hear the internationally renowned English vocal ensemble The Gesualdo Six directed by bass singer and composer Owain Park
Horizon Classical launches with a format to draw new audiences of all ages and cultural backgrounds.
Sydney benefits from groups that take risks and allow performers and audiences alike to broaden their knowledge and experience.
To hear any of these concertos on their own is a delight; to hear them together, performed with such skill, is to gain new insights and to marvel at the breadth of Bach’s genius.
Swirling Flame is a nineteen-track collection of new works and their world premiere recordings from Elysian Fields.
Palimpsest 571 is the title of Australian pianist Rob Hao’s debut album which aims to bridge old styles with new.
The Art of Violin, presented by Bach Akademie Australia in its debut performance in the Utzon Room of the Sydney Opera House, was a riveting exploration of the art of the Baroque violin at the end of the 17th century.
Hot on the heels of their performance of Handel’s magnificent oratorio Samson in May, Pacific Opera Studio’s ensemble of developing operatic artists presented a “pocket opera” version of Mozart’s great singspiel Die Zauberflote (The Magic Flute).
