Review roundup
A collection of the weekend’s reviews:
Stephen Hough’s Canberra concert:
Placido Domingo and Katherine Jenkins in Sydney:
The Vienna Philharmonic in Perth:
A collection of the weekend’s reviews:
Stephen Hough’s Canberra concert:
Placido Domingo and Katherine Jenkins in Sydney:
The Vienna Philharmonic in Perth:
Concert review- Samson, G.F. Handel Pacific Opera Studio and The Muffatt Collective Christ Church St Laurence, Sydney, Saturday May 17 th, 2025 Reviewer- Victoria Watson, image credit Rosa Doric. Pacific Opera Studio, a training ensemble for aspiring young opera singers, provides a rare opportunity in Sydney to hone the operatic craft. Its current artistic direction…
The Song Company Love in Venice The City Recital Hall, Sydney Wednesday March 14th 2012 The contemporary relevance of 16th century European music is ever real. Roland Peelman, Artistic Director of The Song Company proved this when he chose 9 madrigals composed between 1603 and 1619, from Claudio Monteverdi’s vast oeuvre, and paired them with the highly theatrical…
Celebrating the 40th anniversary of its inception, the Sydney Chamber Choir and its alumni gathered under the direction of founding Music Director Dr Nicholas Routley in a performance they called Creativity + Loss. From the decades of repertory the choir has accumulated, the choir performed a carefully selected programme of the music it performs best,…
Angela Denoke, soprano Melbourne Symphony Orchestra Sir Andrew Davis, conductor Sydney Opera House COnert Hall, June 29th 2012. Programme: Wagner R: Overture from Tannhäuser Wagner R: Die Walküre: Du bist der Lenz WagnerR: Tristan und Isolde: Prelude and Liebestod Strauss R: Der Rosenkavalier: Suite Strauss Salome: Final Scene Decades of inter-city rivalry were forgotten when Sydney audiences…
La bohème – Giacomo Puccini Opera Australia, 6 January 2016 Joan Sutherland Theatre, Sydney Opera House Once again, the Opera Australia summer season features a revival of Gale Edwards’s production of La bohème which has been presented every year since its premiere in 2011. These continual revivals presumably make good financial sense by attracting…
Braving W C Fields’ infamous trope “Never work with children….,” the Australian Brandenburg Orchestra’s season of Next Generation Baroque which opened last night in Sydney, invited two young adults and a precociously gifted wunderkind to the stage, to perform with the ensemble. Baroque music is ideally suited to showcasing the prowess of emerging talent and…