Concert Review: Songs of Solitude And Solace
SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.
SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.
Emperors & Armies Australian Haydn Ensemble Utzon Room, Sydney Opera House February 11, 2020 The Australian Haydn Ensemble’s 2020 curtain raiser Emperors & Armies drew inspiration from the royal dynasties of 18th century middle Europe, when kings had the critical responsibility of patronising the arts. It was a golden age for music. Artistic director and…
Vincent Plush reviews The Song Company’s Sunken Dreams for The Australian: http://www.theaustralian.com.au/arts/music/company-on-song/story-fn9d2mxu-1226444025366
Both ARCO and Da Costa have provided a brilliantly performed exploration of Mozart’s piano style through Reinecke’s legacy, supported by academic rigor. It is also delightful to listen to. We take meticulous care in preserving paintings and other artifacts of the past. Why not music as well?
Sydney turned on its glorious best last Sunday for I Musici’s Italian Summer presentation in the Royal Botanic Gardens: http://www.smh.com.au/entertainment/music/inventive-renditions-cast-spell-despite-intrusions-20120227-1tyv0.html
The Rape of Lucretia, Benjamin Britten Sydney Chamber Opera/ Victorian Opera Carriageworks 19 August 2016 Written by Deen Hamaker Productions of Benjamin Britten’s operas have become a rare event in Sydney and performances of Britten’s most enigmatic work, The Rape of Lucretia, are even more rare. Last performed by The Australian Opera as part of…
Among his many virtues as a composer, Giacomo Puccini was above all, a master of contrast – musical, dramatic and ultimately emotional. He combined musical genius with an incisive theatrical instinct to create operas full of thrilling grandiosity and gripping intimacy, often within minutes of each other. Nowhere is this more evident than in…
Emperors & Armies Australian Haydn Ensemble Utzon Room, Sydney Opera House February 11, 2020 The Australian Haydn Ensemble’s 2020 curtain raiser Emperors & Armies drew inspiration from the royal dynasties of 18th century middle Europe, when kings had the critical responsibility of patronising the arts. It was a golden age for music. Artistic director and…
Vincent Plush reviews The Song Company’s Sunken Dreams for The Australian: http://www.theaustralian.com.au/arts/music/company-on-song/story-fn9d2mxu-1226444025366
Both ARCO and Da Costa have provided a brilliantly performed exploration of Mozart’s piano style through Reinecke’s legacy, supported by academic rigor. It is also delightful to listen to. We take meticulous care in preserving paintings and other artifacts of the past. Why not music as well?
Sydney turned on its glorious best last Sunday for I Musici’s Italian Summer presentation in the Royal Botanic Gardens: http://www.smh.com.au/entertainment/music/inventive-renditions-cast-spell-despite-intrusions-20120227-1tyv0.html
The Rape of Lucretia, Benjamin Britten Sydney Chamber Opera/ Victorian Opera Carriageworks 19 August 2016 Written by Deen Hamaker Productions of Benjamin Britten’s operas have become a rare event in Sydney and performances of Britten’s most enigmatic work, The Rape of Lucretia, are even more rare. Last performed by The Australian Opera as part of…
Among his many virtues as a composer, Giacomo Puccini was above all, a master of contrast – musical, dramatic and ultimately emotional. He combined musical genius with an incisive theatrical instinct to create operas full of thrilling grandiosity and gripping intimacy, often within minutes of each other. Nowhere is this more evident than in…
Emperors & Armies Australian Haydn Ensemble Utzon Room, Sydney Opera House February 11, 2020 The Australian Haydn Ensemble’s 2020 curtain raiser Emperors & Armies drew inspiration from the royal dynasties of 18th century middle Europe, when kings had the critical responsibility of patronising the arts. It was a golden age for music. Artistic director and…
Vincent Plush reviews The Song Company’s Sunken Dreams for The Australian: http://www.theaustralian.com.au/arts/music/company-on-song/story-fn9d2mxu-1226444025366
Both ARCO and Da Costa have provided a brilliantly performed exploration of Mozart’s piano style through Reinecke’s legacy, supported by academic rigor. It is also delightful to listen to. We take meticulous care in preserving paintings and other artifacts of the past. Why not music as well?
Sydney turned on its glorious best last Sunday for I Musici’s Italian Summer presentation in the Royal Botanic Gardens: http://www.smh.com.au/entertainment/music/inventive-renditions-cast-spell-despite-intrusions-20120227-1tyv0.html
The Rape of Lucretia, Benjamin Britten Sydney Chamber Opera/ Victorian Opera Carriageworks 19 August 2016 Written by Deen Hamaker Productions of Benjamin Britten’s operas have become a rare event in Sydney and performances of Britten’s most enigmatic work, The Rape of Lucretia, are even more rare. Last performed by The Australian Opera as part of…
Among his many virtues as a composer, Giacomo Puccini was above all, a master of contrast – musical, dramatic and ultimately emotional. He combined musical genius with an incisive theatrical instinct to create operas full of thrilling grandiosity and gripping intimacy, often within minutes of each other. Nowhere is this more evident than in…