Concert Review:Ottoman Baroque/Australian Brandenburg Orchestra
The sounds of the music and chanting ebbed away; the shadows on the stage faded. There was no applause, no cheering, no…
The sounds of the music and chanting ebbed away; the shadows on the stage faded. There was no applause, no cheering, no…
JS Bach’s Mass in B minor BWV 232 is described by Sir John Eliot Gardiner in his recent book Bach, as “unprecedented …
It’s very likely that hundreds, if not thousands of Australians have retraced the legendary journeys undertaken by medieval pilgrims to sacred sites…
Gazpacho Andaluz The Renaissance Players, The Great Hall, Sydney University, October 5th, 2014 A shot of gazpacho was the perfect antidote to…
Beethoven’s Piano Concerto, The Australian Haydn Ensemble, Utzon Room, Sydney Opera House, Monday 29th September 2014. When Daniel Barenboim undertook his…
What could Ludwig van Beethoven and Malcolm Williamson possibly have in common? The measure, for the purposes of this feature, is…
David Alden’s new production of Verdi’s Otello opened at the English National Opera last week with two Australian born singers in the lead…
SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by Robert Forgács. Click here to read.…
Mozart’s Jupiter The Australian Brandenburg Orchestra City Recital Hall, September 3rd, 2014. The Concerto for Flute and Harp was surely the highlight in…
‘Collusion’ The Marais Project: Jenny Eriksson with Susie Bishop, Emily-Rose Šárkova and Eliska Sarka Recital Hall West, Sydney Conservatorium 24 August 2014. 2014…
