Sumi Jo recital reviewed
Murray Black reviews Sumi Jo’s recital for The Australian:
http://www.theaustralian.com.au/arts/music/deja-vu-of-the-best-kind/story-fn9d2mxu-1226519854341
Murray Black reviews Sumi Jo’s recital for The Australian:
http://www.theaustralian.com.au/arts/music/deja-vu-of-the-best-kind/story-fn9d2mxu-1226519854341
As we acknowledge Remembrance Day today, this month we pay special attention to the birth centenary of Benjamin Britten which falls on November 22nd. All year there have been performances of his music around the world. This weekend especially, the two anniversaries were remembered with performances of his War Requiem in many cities. Read Peter McCallum’s review in the…
When I spoke to Benjamin Grosvenor in 2012 during a brief visit to Sydney to launch his album Rhapsody in Blue, the young British pianist commented that although his repertoire embraced composers from JS Bach through Chopin and Scriabin, to Saint-Saëns, Ravel and Gershwin, the Romantics have been his first love. His favourite composer at the time…
Cavalleria Rusticana – Pietro Mascagni; Pagliacci – Ruggero Leoncavallo Opera Australia, Joan Sutherland Opera Theatre, Sydney Opera House, 12 January 2017 Opera Australia has continued its summer season with a new production of Cavalleria Rusticana and Pagliacci, following its customary New Year performances of La Bohème. This double bill is a joint enterprise with the…
The performance by living legend Jordi Savall and his early music ensemble Hespèrion XXI in the Concert Hall of the Sydney Opera House not only entertained and transfixed the auience, it was a masterclass in early instrumental performance and a rare opportunity to hear an expert ensemble of early instuments playing this specialist repertoire.
The farewell tour by Trioz is underway. http://www.smh.com.au/entertainment/music/trios-farewell-trip-down-an-untrodden-mozartian-way-20111110-1n99q.html
In recording this live performance of Brahms’ Ein Deutsches Requiem(A German Requiem) opus 45 in July 2013, the Choir of St James’ King Street directed by Warren Trevelyan-Jones ventures into repertoire we would not often hear from this fine ensemble, whose focus leans towards music from both earlier and more recent times. For many…