Calming The ‘Ca-cough-ony’
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
The review of Brett Dean’s award winning violin concerto: http://www.smh.com.au/entertainment/music/letters-from-the-heart-a-heavenly-treat-for-the-ears-20111205-1ofdc. …and a conversation with Anne- Sophie Mutter http://www.smh.com.au/entertainment/music/interview-annesophie-mutter-20111201-1o7i4.html
The 2013 Sydney Festival is launched!! http://www.sydneyfestival.org.au/2013/
What is the secret of the enduring appeal of the music of JS Bach?! Even of you don’t like his music, the complexity of his writing, his output and his role as an innovator are unparalleled. Pianist James Rhodes claims that Bach takes us into a “fourth dimension of existence.” Read more from BBC Culture.
This compelling 2 hour documentary is available on SBS at the link below until 3.15 pm on November 30th, 2013. Centred around the creation of Britten’s last opera Death in Venice, it contains footage of Britten, his colleagues and carers at work and being interviewed, as well as the health issues that led to his death in…
The English National Opera has announced its 2013-14 season which sees the UK premieres of 10 new opera and the return of 4 recent hits. Ex-Monty Pythoner and film-maker Terry Gilliam has been appointed director of the company which is trying to reverse its budget deficit. Gilliam will return to the music of Hector Berlioz to direct a…
Audiences rely on them; performers love them or loathe them. Much has been discussed and written about the role of the critic. In an ideal world, the critic would perform one key function: to express a knowledgeable and balanced opinion about as many possible aspects of a performance which they have attended. They inform their readers about…