Lisa Gasteen and Eric Whitacre interviews:
Lisa Gasteen makes a welcome return to the stage during the Brisbane Festival in August. She talks to Matthew Westwood of The Australian:
…… and Eric Whitacre talks to Bridget Cormack:
Lisa Gasteen makes a welcome return to the stage during the Brisbane Festival in August. She talks to Matthew Westwood of The Australian:
…… and Eric Whitacre talks to Bridget Cormack:
Russian pianist Arseny Tarasevich-Nikolaev, runner-up at the 2016 Sydney International Piano Competition, is to release his debut album Reflections on the Decca label. Avaiable from tomorrow, the album features two concert études composed by Arseny Tarasevich-Nikolaev’s grandmother, the Russian concert pianist Tatiana Nikolayeva. Reflections is a very personal album which also features the music of Russian composers Rachmaninov, Medtner,…
Participants in the 2024 Chamber Music 18-26 age group event at Sydney Eisteddfod will be considered for this exciting opportunity.
If you’re travelling to Melbourne at the end of this year to join the odyssey that is Wagner’s ‘Ring’, this feature in The Australian takes you on a parallel journey as Orchestra Victoria gathers musicians to augment its core for the landmark season. Click here to read.
Australian tenor Stuart Skelton steps in for an ailing Jonas Kauffman next week, in the Met’s production of Die Walkure. Later this month, he sings in The Flying Dutchman for the English National Opera in London. Last week, he gave his most recent interview: http://www.independent.co.uk/arts-entertainment/classical/features/stuart-skelton-one-man-two-tenors-7687275.html
Earlier this month, at London’s Royal Albert Hall, Sydney born Amy Dickson was named the 2013 Classical BRIT Award’s Breakthrough Artist of the Year for her new album Dusk & Dawn. This is notable for two reasons. Dickson is the first Australian to win a Classical Brit Award; second, it signals a new interest in…
Images from Opera Australia’s current production of Verdi’s Rigoletto show the dark tones of the sinister set which reeks of conspiracy, against which the vivid costumes of the courtiers shine blood-red. Scroll down to see all 7 images. Images by Braco Gaica, courtesy Opera Australia.
Russian pianist Arseny Tarasevich-Nikolaev, runner-up at the 2016 Sydney International Piano Competition, is to release his debut album Reflections on the Decca label. Avaiable from tomorrow, the album features two concert études composed by Arseny Tarasevich-Nikolaev’s grandmother, the Russian concert pianist Tatiana Nikolayeva. Reflections is a very personal album which also features the music of Russian composers Rachmaninov, Medtner,…
Participants in the 2024 Chamber Music 18-26 age group event at Sydney Eisteddfod will be considered for this exciting opportunity.
If you’re travelling to Melbourne at the end of this year to join the odyssey that is Wagner’s ‘Ring’, this feature in The Australian takes you on a parallel journey as Orchestra Victoria gathers musicians to augment its core for the landmark season. Click here to read.
Australian tenor Stuart Skelton steps in for an ailing Jonas Kauffman next week, in the Met’s production of Die Walkure. Later this month, he sings in The Flying Dutchman for the English National Opera in London. Last week, he gave his most recent interview: http://www.independent.co.uk/arts-entertainment/classical/features/stuart-skelton-one-man-two-tenors-7687275.html
Earlier this month, at London’s Royal Albert Hall, Sydney born Amy Dickson was named the 2013 Classical BRIT Award’s Breakthrough Artist of the Year for her new album Dusk & Dawn. This is notable for two reasons. Dickson is the first Australian to win a Classical Brit Award; second, it signals a new interest in…
Images from Opera Australia’s current production of Verdi’s Rigoletto show the dark tones of the sinister set which reeks of conspiracy, against which the vivid costumes of the courtiers shine blood-red. Scroll down to see all 7 images. Images by Braco Gaica, courtesy Opera Australia.
Russian pianist Arseny Tarasevich-Nikolaev, runner-up at the 2016 Sydney International Piano Competition, is to release his debut album Reflections on the Decca label. Avaiable from tomorrow, the album features two concert études composed by Arseny Tarasevich-Nikolaev’s grandmother, the Russian concert pianist Tatiana Nikolayeva. Reflections is a very personal album which also features the music of Russian composers Rachmaninov, Medtner,…
Participants in the 2024 Chamber Music 18-26 age group event at Sydney Eisteddfod will be considered for this exciting opportunity.
If you’re travelling to Melbourne at the end of this year to join the odyssey that is Wagner’s ‘Ring’, this feature in The Australian takes you on a parallel journey as Orchestra Victoria gathers musicians to augment its core for the landmark season. Click here to read.
Australian tenor Stuart Skelton steps in for an ailing Jonas Kauffman next week, in the Met’s production of Die Walkure. Later this month, he sings in The Flying Dutchman for the English National Opera in London. Last week, he gave his most recent interview: http://www.independent.co.uk/arts-entertainment/classical/features/stuart-skelton-one-man-two-tenors-7687275.html
Earlier this month, at London’s Royal Albert Hall, Sydney born Amy Dickson was named the 2013 Classical BRIT Award’s Breakthrough Artist of the Year for her new album Dusk & Dawn. This is notable for two reasons. Dickson is the first Australian to win a Classical Brit Award; second, it signals a new interest in…
Images from Opera Australia’s current production of Verdi’s Rigoletto show the dark tones of the sinister set which reeks of conspiracy, against which the vivid costumes of the courtiers shine blood-red. Scroll down to see all 7 images. Images by Braco Gaica, courtesy Opera Australia.