‘The Reef’ reviewed

Peter McCallum reviews the Australian Chamber Orchestra’s The Reef:
http://www.smh.com.au/entertainment/music/dream-dashed-by-clanging-cymbals-20120724-22n2p.html

Peter McCallum reviews the Australian Chamber Orchestra’s The Reef:
http://www.smh.com.au/entertainment/music/dream-dashed-by-clanging-cymbals-20120724-22n2p.html
Commemorating the season of Lent, The Choir of Christ Church St Laurence in Sydney has released an anthology of seasonal music from Lent to Easter, titled Light’s Glittering Morn. Directed by Dr Neil McEwen AM, with organist Peter Jewkes, the 34 strong choir sings 14 works from Gregorian chant to the 20th century which…
David Vance commends Susan Graham’s ambitious programme: http://www.smh.com.au/entertainment/opera/all-stand-for-a-musical-match-made-in-heaven-20120502-1xz26.html
Król Roger (King Roger) – Karol Szymanowski Opera Australia, Joan Sutherland Opera Theatre, Sydney Opera House 20 January 2017 Opera Australia’s second new production in the 2017 summer season is Król Roger (King Roger) by the early 20th century Polish composer Karol Szymanowski. The work is rarely performed outside Poland and this co-production with…
‘A feeble French travesty of a German literary monument.’ Such was Wagner’s view, in 1867, of Charles-François Gounod’s opera Faust which premiered in Paris in 1859. No matter that Faust was one of the most successful operas of its time, being performed at the Royal Opera, Covent Garden, every season from 1863 to 1911 and…
Music critic Michael Church once noted the existence of “Those who mistakenly believe that historical operas by dead composers can only be made ‘relevant’ if they are updated and taken out of their traditional theatrical context”.* Whether or not you subscribe to this view, Opera Australia’s Roger Hodgman directed offering of Verdi’s masterpiece Rigoletto demonstrates…
The Art of Violin, presented by Bach Akademie Australia in its debut performance in the Utzon Room of the Sydney Opera House, was a riveting exploration of the art of the Baroque violin at the end of the 17th century.