Similar Posts
A Superb Cast Takes a Roman Holiday – ‘Don Pasquale’ reviewed
Don Pasquale – Gaetano Donizetti Opera Australia , 18 July 2013 When Donizetti wrote Don Pasquale for Paris in 1841, it was an immediate success. Within six months it had been produced in Milan, Vienna, Brussels and London and it has remained one of the most popular comic operas ever since. So it is surprising…
Concert Review: Haydn and Mozart/Omega Ensemble
Omega Ensemble: David Rowden (Artistic Director and basset clarinet), Natsuko Yoshimoto (violin), Ike See (violin), Neil Thompson (viola), Paul Stender (cello) February 19, Utzon Room, Sydney Opera House Written by Larry Turner The Omega Ensemble’s weekend concert Haydn and Mozart was a superb performance of high calibre which suggests that it might more aptly be…
Concert Review: Imogen Cooper Plays Schubert, Schumann and Brahms
In her own words, “Schumann and Schubert are central contenders for my heart”, and thus it was that these composers formed the core of the programme which pianist Imogen Cooper CBE, performed during her present tour for Music Viva. Speaking before the second half of her concert in Sydney this week, Cooper observed that…
Digital Concert Review: Sacro Amor/ Australian Haydn Ensemble
The Australian Haydn Ensemble’s digital performance Sacro Amor is 75 minutes of pure pleasure at any time, but especially so in lockdown.
Arrebato fuses flameno, jazz and the world in their second CD “Absolucion”
The style is possibly as difficult to define as the English meaning of their name – “Arrebato”, variously translated as “fury”, “something that rises rapidly” or “a wave of emotion”. It’s fair to say that any and all of these describe the music of this ensemble. Arrebato release their second CD “Absolucion” in June 2011….
The Sixteen reviewed….
The eighteen singers of The Sixteen and their twenty strong instrumental ensemble perform in Sydney: http://www.smh.com.au/entertainment/music/baroque-masters-offer-rich-textures-20120228-1u0rq.html

